{"id":28271,"date":"2020-08-08T13:52:09","date_gmt":"2020-08-08T20:52:09","guid":{"rendered":"https:\/\/theculturednerd.org\/?p=28271"},"modified":"2021-06-15T14:09:32","modified_gmt":"2021-06-15T21:09:32","slug":"album-review-toxic-boogaloo-by-city-morgue","status":"publish","type":"post","link":"https:\/\/theculturednerd.org\/?p=28271","title":{"rendered":"[Album Review] &#8220;Toxic Boogaloo&#8221; by City Morgue"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><em>Hip-Hop&#8217;s most uncompromising and belligerent duo returns with a new mixtape that, despite being fairly repetitive, further signify their unique musical style in the current landscape of music.&nbsp;<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/cdn-resources.crowdcat.co\/media\/e98ccc8f-c5f1-497a-ade1-625ae0f74c23.jpg\" alt=\"\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Rapper <strong>Zillakami<\/strong> and <strong>SosMula<\/strong> branded under the name <strong>City Morgue<\/strong> back in 2017. The duo immediately turned heads with their aggressive, murderous raps over riff-heavy, rock-inspired beats that sound like a successful fusion of emo rap and nu-metal. They dropped their debut album <strong><em>City Morgue vol. 1: Hell or High Water<\/em><\/strong> back in 2018 and its sequel, <strong><em>Vol 2: As Good as Dead<\/em><\/strong> in 2018. <strong><em>Toxic Boogaloo<\/em><\/strong> serves as a teaser mixtape before the duo eventually unveils the third installment of their album series. It was released on July 31st, 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Track List:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>The Electric Experience <\/li><li>Hurtworld &#8217;99<\/li><li>Yellow Piss <\/li><li>Buakaw <\/li><li>Yakuza <\/li><li>Crank <\/li><li>You can SMD <\/li><li>All Killer no Filler <\/li><li>Super Soaka <\/li><li>Prosthetic Legs<\/li><\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">With a track list made up of only 10 entries, <em>Toxic Boogaloo<\/em> has barely any breathing space, and both Zillakami and SosMula waste no time setting the tone of the album. The first track, &#8220;The Electric Experience&#8221; has a roaring guitar-heavy instrumental, which comes courtesy of producer <strong>Powers Pleasant<\/strong>, and the duo sounds as bloodthirsty and mean as ever on top of it. SosMula\u2019s brief description of his life pre-music is unapologetically gritty and horrifying; a sleep paralysis demon doing backflips on one\u2019s chest might have been a hell of a night.<br><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u201cCan\u2019t believe I made it out the \u2019jects selling half bricks <\/p><p>Sleep paralysis demon on my chest, doing backflips\u201d <\/p><cite>&#8220;The Electric Experience&#8221; <\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Many tracks that follow the first one are all equally hard-hitting. The song, &#8220;Buakaw,&#8221; named after Muay Thai kickboxer, <strong>Buakaw Benchamek<\/strong>, is easily one of the best City Morgue songs to date. The intensity both Zilla and Mula operate with on this track provide a lot of the blood-pumping thrills that the fans of the duo love so much. Both rappers\u2019 energy barely ever lets up during the entire runtime, which works as a double-edged sword for the record, making it consistent but also one dimensional to an extent. The fifth song, titled &#8220;Yakuza,&#8221; a solo performance by SosMula is also very high-octane and enjoyable, although a second verse towards the end of the song would have definitely improved it quite a\u00a0bit. <br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/lab.fm\/wp-content\/uploads\/2019\/12\/121619-City-Morgue-Instagram-1392x1044.jpg\" alt=\"\" \/><figcaption><em>Zillakami and SosMula<\/em> <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Things take a small tonal shift with the song &#8220;You Can SMD.&#8221; Mind you, Zillakami still sounds as blunt and aggressive as ever, but it\u2019s the lyrics that feel a bit more tongue-in-cheek and less serious than most of the material that ended up on the tape. For the majority of <em>Toxic Boogalo<\/em>, City Morgue stays in the realm of bloody, downright demonic raps over bumping punk and metal-inspired instrumentals and it works for the most part.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, the track &#8220;Super Soaka&#8221; is a significant low point in the track list. SosMula sounds nowhere near as focused or inspired as he is on most of the songs here&#8211;it might have been the only truly underwhelming cut on the mixtape. Thankfully, things pick up once more on the closer track, &#8220;Prosthetic Legs.&#8221; Zillakami even shows off a different vocal delivery midway through his verse and SosMula is also great, as per usual and things end on a relative high note.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Overall, <em>Toxic Boogaloo<\/em> does its job as a mixtape. It\u2019s short, it\u2019s blunt, it gets right to the point, and it strengthens the duo\u2019s sound. It\u2019s not as varied or versatile as their second album, <em>As Good as Dead<\/em>, but if you wanted to hear something on the scale of a proper LP, you\u2019d have to look forward to volume 3. SosMula has confirmed via Instagram that it is currently being finished.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rating: B+<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Toxic Boogaloo is made up of tracks written by Zillakami, SosMula and production by <strong>Thraxx<\/strong>, <strong>Yung Germ<\/strong>, <strong>WNDWS<\/strong> and Powers Pleasant. It is now available for purchase both digitally and physically.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hip-Hop&#8217;s most uncompromising and belligerent duo returns with a new mixtape that, despite being fairly repetitive, further signify their unique musical style in the current landscape of music. <\/p>\n","protected":false},"author":96,"featured_media":28305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10,15],"tags":[3651,3655,3654,2207,2227,3653,3652],"class_list":["post-28271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-reviews","tag-city-morgue","tag-nu-metal-2","tag-punk","tag-rap","tag-rock","tag-sosmula","tag-zillakami"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[Album Review] &quot;Toxic Boogaloo&quot; 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